Henri Bergson (1859-1941), the
son of a Jewish musician and an English woman, was educated at
the Lycée Condorcet and the École Normale Supérieure, where he
studied philosophy. After a teaching career as a schoolmaster in
various secondary schools, Bergson was appointed to the
École Normale Supérieure in 1898 and, from 1900 to
1921, held the chair of philosophy at the Collège de France.
In 1914 he was elected to the Académie Française; from
1921 to 1926 he was president of the Commission for Intellectual
Cooperation of the League of Nations. Shortly before his death in
1941, Bergson expressed in several ways his opposition to the
Vichy regime.
Bergson's English background explains the deep influence that
Spencer, Mill, and Darwin had on him during his youth, but his
own philosophy is largely a reaction against their rationalist
systems.
Bergson developed his philosophy in a number of books that have
become famous not only for their fresh interpretation of life but
also for a powerful employment of metaphor, image, and analogy.
In his Essai sur les donnes immédiates de la
conscience (1889) [Time and Free Will], Bergson
offered an interpretation of consciousness as existing on two
levels, the first to be reached by deep introspection, the second
an external projection of the first. The deeper self is the seat
of creative becoming and of free will. The method of intuitive
introspection, first employed in this work, is developed further
in his Introduction à la métaphysique (1903
[An Introduction to Metaphysics]. In Matière et
mémoire (1896) [Matter and Memory], Bergson once
again took up the study of consciousness, turning his attention
to the relation of mind to body. He argued that this distinction
is one of degree, not of kind. The limiting concept of matter is
interpreted as a momentary mind, completely deprived of a memory
that helps make possible freedom of choice. In L'Évolution
créatice (1907) [Creative Evolution], Bergson
developed the theory of time introduced in his other works and
applied it to the study of living things, while in Les Deux
Sources de la morale et de la religion (1932) [The Two
Sources of Morality and Religion], he explored the moral
implications of his theory of freedom. In Le Rire (1900)
[Laughter], of greatest interest to the literary critic,
Bergson provided a theory of comedy and established its place in
a survey of aesthetics and the philosophy of art. Many of
Bergson's essays and reviews have been collected in L'Energie
spirituelle (1919) [Mind-Energy] and La Pensée
et le mouvant (1934) [Thought and Motion]. Bergson's
works were published in seven volumes in 1945-46.
From Nobel Lectures, Literature 1901-1967, Editor Horst Frenz, Elsevier Publishing Company, Amsterdam, 1969
This autobiography/biography was first published in the book series Les Prix Nobel. It was later edited and republished in Nobel Lectures. To cite this document, always state the source as shown above.
Henri Bergson died on January 4, 1941.
Copyright © The Nobel Foundation 1927