| Prufrock and Other Observations. – London : Egoist, 1917 |
| Ezra Pound : His Metric and Poetry. – New York : Knopf, 1918 |
| Poems. – Richmond, Surrey : The Hogarth Press, 1919 |
| Ara Vos Prec. – London : Ovid Press, 1920. – Revised as Poems. – New York : Knopf, 1920 |
| The Sacred Wood : Essays on Poetry and Criticism. – London : Methuen, 1920 |
| The Waste Land. – New York : Boni & Liveright, 1922 |
| Homage to John Dryden : Three Essays on Poetry of the Seventeenth Century. – London : The Hogarth Press, 1924 |
| Poems 1909–1925. – London : Faber & Gwyer, 1925 |
| Journey of the Magi. – London : Faber & Gwyer, 1927 |
| Shakespeare and the Stoicism of Seneca. – London : Oxford University Press, 1927 |
| A Song for Simeon. – London : Faber & Gwyer, 1928 |
| For Lancelot Andrewes : Essays on Style and Order. – London : Faber & Gwyer, 1928 |
| Dante. – London : Faber, 1929 |
| Animula. – London : Faber, 1929 |
| Ash-Wednesday. – New York : Fountain Press, 1930 ; London : Faber, 1930 |
| Marina. – London : Faber, 1930 |
| Thoughts After Lambeth. – London : Faber, 1931 |
| Triumphal March. – London : Faber, 1931 |
| Charles Whibley : A Memoir. – London : Oxford University Press, 1931 |
| Selected Essays 1917–1932. – London : Faber, 1932 ; New York : Harcourt, Brace, 1932 |
| John Dryden: The Poet, The Dramatist, The Critic. – New York : Terence & Elsa Holliday, 1932 |
| Sweeney Agonistes : Fragments of an Aristophanic Melodrama. – London : Faber, 1932 |
| The Use of Poetry and The Use of Criticism : Studies in the Relation of Criticism to Poetry in England. – London : Faber, 1933 ; Cambridge, Mass. : Harvard University Press, 1933 |
| After Strange Gods : A Primer of Modern Heresy. – London : Faber, 1934 ; New York : Harcourt, Brace, 1934 |
| The Rock : A Pageant Play. – London : Faber, 1934 ; New York : Harcourt, Brace, 1934 |
| Elizabethan Essays. – London : Faber, 1934. – Revised as Essays on Elizabethan Drama. – New York : Harcourt, Brace, 1956 ; republished as Elizabethan Dramatists. – London : Faber, 1963 |
| Words for Music. – Bryn Mawr, Pa. : Privately printed, 1934 |
| Murder in the Cathedral. – London : Faber, 1935 ; New York : Harcourt, Brace, 1935 |
| Essays Ancient & Modern. – London : Faber, 1936 ; New York : Harcourt, Brace, 1936 |
| Collected Poems 1909–1935. – London : Faber, 1936 ; New York : Harcourt, Brace, 1936 |
| The Family Reunion. – London : Faber, 1939 ; New York : Harcourt, Brace, 1939 |
| Old Possum's Book of Practical Cats. – London : Faber, 1939 ; New York : Harcourt, Brace, 1939 |
| The Idea of a Christian Society. – London : Faber, 1939 ; New York : Harcourt, Brace, 1940 |
| East Coker. – London : Faber, 1940 |
| Burnt Norton. – London : Faber, 1941 |
| Points of View / edited by John Hayward. – London : Faber, 1941 |
| The Dry Salvages. – London : Faber, 1941 |
| The Classics and the Man of Letters. – London, New York & Toronto : Oxford University Press, 1942 |
| The Music of Poetry. – Glasgow : Jackson, Son, Publishers to the University, 1942 |
| Little Gidding. – London : Faber, 1942 |
| Four Quartets. – New York : Harcourt, Brace, 1943 ; London : Faber, 1944 |
| Reunion by Destruction. – London : Pax House, 1943 |
| What Is a Classic?. – London : Faber, 1945 |
| A Practical Possum. – Cambridge, Mass. : Harvard Printing Office & Department of Graphic Arts, 1947 |
| On Poetry. – Concord, Mass. : Concord Academy, 1947 |
| Milton. – London : Geoffrey Cumberlege, 1947 |
| A Sermon. – Cambridge : Cambridge University Press, 1948 |
| Selected Poems. – Harmondsworth, U.K. : Penguin/Faber, 1948 ; New York : Harcourt, Brace & World, 1967 |
| Notes Towards the Definition of Culture. – London : Faber, 1948 ; New York : Harcourt, Brace, 1949 |
| From Poe to Valéry. – New York : Harcourt, Brace, 1948 |
| The Undergraduate Poems of T. S. Eliot. – Cambridge, Mass., 1949 |
| The Aims of Poetic Drama. – London : Poets' Theatre Guild, 1949 |
| The Cocktail Party. – London : Faber, 1950 ; New York : Harcourt, Brace, 1950 |
| Poems Written in Early Youth. – Stockholm : Privately printed, 1950 ; London : Faber, 1967 ; New York : Farrar, Straus & Giroux, 1967 |
| Poetry and Drama. – Cambridge, Mass. : Harvard University Press, 1951 ; London : Faber, 1951 |
| The Film of Murder in the Cathedral / T.S. Eliot and George Hoellering. – London : Faber, 1952 ; New York : Harcourt, Brace, 1952 |
| The Value and Use of Cathedrals in England Today. – Chichester : Friends of Chichester Cathedral, 1952 |
| An Address to Members of the London Library. – London : London Library, 1952 ; Providence, R.I. : Providence Athenaeum, 1953 |
| The Complete Poems and Plays. – New York : Harcourt, Brace, 1952 |
| American Literature and the American Language. – St. Louis : Department of English, Washington University, 1953 |
| The Three Voices of Poetry. – Cambridge : Cambridge University Press, 1953 ; New York : Cambridge University Press, 1954 |
| The Confidential Clerk. – London : Faber, 1954 ; New York : Harcourt, Brace, 1954 |
| Religious Drama : Mediaeval and Modern. – New York : House of Books, 1954 |
| The Cultivation of Christmas Trees. – London : Faber, 1954 ; New York : Farrar, Straus & Cudahy, 1956 |
| The Literature of Politics. – London : Conservative Political Centre, 1955 |
| The Frontiers of Criticism. – Minneapolis : University of Minnesota Press, 1956 |
| On Poetry and Poets. – London : Faber, 1957 ; New York : Farrar, Straus & Cudahy, 1957 |
| The Elder Statesman. – London : Faber, 1959 ; New York : Farrar, Straus & Cudahy, 1959 |
| Geoffrey Faber 1889–1961. – London : Faber, 1961 |
| Collected Plays. – London : Faber, 1962 |
| George Herbert. – London : Longmans, 1962 |
| Collected Poems 1909–1962. – London : Faber, 1963 ; New York : Harcourt, Brace & World, 1963 |
| Knowledge and Experience in the Philosophy of F. H. Bradley. – London : Faber, 1964 ; New York : Farrar, Straus, 1964 |
| To Criticize the Critic and Other Writings. – London : Faber, 1965 ; New York : Farrar, Straus & Giroux, 1965 |
| The Waste Land : A Facsimile and Transcript of the Original Drafts Including the Annotations of Ezra Pound / edited by Valerie Eliot. – London : Faber, 1971 ; New York : Harcourt Brace Jovanovich, 1971 |
| Selected Prose of T.S. Eliot / edited by Frank Kermode. – London : Faber, 1975 ; New York : Harcourt Brace Jovanovich, 1975 |
| The Varieties of Metaphysical Poetry : The Clark Lectures at Trinity College, Cambridge, 1926, and the Turnbull Lectures at the Johns Hopkins University, 1933 / edited by Ronald Schuchard. – London : Faber, 1993 ; New York : Harcourt Brace, 1994 |
| Inventions of the March Hare : Poems, 1909–1917 / edited by Christopher Ricks. – London : Faber, 1996 ; New York : Harcourt Brace, 1996 |
| The Waste Land : Authoritative Text, Contexts, Criticism. – Norton Critical Edition / edited by Michael North. – New York : Norton, 2001 |
| The Annotated Waste Land, with T.S. Eliot's Contemporary Prose / edited by Lawrence Rainey. – New Haven : Yale University Press, 2005 |
| Literature (a selection) |
| T.S. Eliot : a Selected Critique / ed. ny Leonard Unger. – New York : Rinehart, 1948 |
| Drew, Elizabeth A., T.S. Eliot : the Design of His Poetry. – New York : Scribner, 1949 |
| Maxwell, Desmond Ernest Stewart, The Poetry of T.S. Eliot. – London : Routledge & Kegan Paul, 1952 |
| Williamson, George, A Reader's Guide to T.S. Eliot : a Poem-By-Poem Analysis. – New York : Noonday Press, 1953 |
| Smith, Grover Cleveland, jr., T.S. Eliot's Poetry and Plays : a Study In Sources and Meaning. – Chicago : Univ. Press, 1956 |
| Matthiessen, Francis Otto, The Achievement of T.S. Eliot : an Essay on the Nature of Poetry. – New York, 1958. |
| Jones, David E., The Plays of T.S. Eliot. – Routledge & Kegan Paul, 1960. |
| Bergsten, Staffan, Time and Eternity : a Study in the Structure and Symbolism of T.S. Eliot's Four Quartets. – Stockholm : Svenska bokförlaget, 1960 |
| Smidt, Kristian, Poetry and Belief in the Work of T. S. Eliot. – London : Routledge and Kegan Paul, 1961 |
| Frye, Northrop, T.S. Eliot. – Edinburgh : Oliver and Boyd, 1963 |
| T. S. Eliot : the Man and His Work / ed. by Allen Tate. – London : Chatto & Windus, 1967 |
| Blamires, Harry, Word Unheard : a Guide Through Eliot's Four Quartets. – London : Methuen, 1969 |
| Critics on T.S. Eliot : Readings in Literary Criticism / ed. by Sheila Sullivan. – London : Allen and Unwin, 1973 |
| Gardner, Helen, The Composition of Four Quartets. – London : Faber, 1978 |
| T.S. Eliot : the Critical Heritage / ed. by Michael Grant. – London : Routledge & Kegan Paul, 1982 |
| Smith, Grover Cleveland, jr., The Waste Land. – London : Allen & Unwin, 1983 |
| Ackroyd, Peter, T.S. Eliot. – London : Hamilton, 1984 |
| Mayer, John T., T.S. Eliot's Silent Voices. – New York : Oxford University Press, 1989 |
| T.S. Eliot : Critical Assessments / edited by Graham Clarke. London : Helm, cop. 1990. – 4 vol. |
| Murray, Paul, T.S. Eliot and Mysticism : the Secret History of Four Quartets. – Basingstoke : MacMillan, 1991 |
| Cooper, John Xiros, T.S. Eliot and the Ideology of Four Quartets. – Cambridge : Cambridge University Press, 1995 |
| Gordon, Lyndall, T.S. Eliot : an Imperfect Life. – London : Vintage, 1998 |
| Miller, James Edwin, jr., T.S. Eliot : the Making of an American Poet, 1888–1922. – University Park, Pa. : Pennsylvania State University Press, 2005 |
| Raine, Craig, T.S. Eliot. – Oxford ; New York : Oxford University Press, 2006 |
The Swedish Academy, 2007