Autobiography

Sometimes
when she would talk about herself
my mother would say:
My life was sad and quiet,
I always walked on tip-toe.
But if I got a little angry
and stamped my foot
the cups, which had been my mother’s,
would tinkle on the dresser
and make me laugh.

At the moment of my birth, so I am told,
a butterfly flew in by the window
and settled on my mother’s bed,
but that same moment a dog howled in the yard.
My mother thought
it a bad omen.

My life of course has not been quite
as peaceful as hers.
But even when I gaze upon our present days
with wistfulness
as if at empty picture frames
and all I see is a dusty wall,
still it has been so beautiful.

There are many moments
I cannot forget,
moments like radiant flowers
in all possible colours and hues,
evenings filled with fragrance
like purple grapes
hidden in the leaves of darkness.

With passion I read poetry
and loved music
and blundered, ever surprised,
from beauty to beauty.
But when I first saw
the picture of a woman nude
I began to believe in miracles.

My life unrolled swiftly.
It was too short
for my vast longings,
which had no bounds.
Before I knew it
my life’s end was drawing near.

Death soon will kick open my door
and enter.
With startled terror I’ll catch my breath
and forget to breathe again.

May I not be denied the time
once more to kiss the hands
of the one who patiently and in step with me
walked on and on and on
and who loved most of all.

“Autobiography” from The Poetry of Jaroslav Seifert
Translated from the Czech by Ewald Osers
Edited by George Gibian
Copyright © 1998 by Ewald Osers and George Gibian
Used by permission of Catbird Press
All rights reserved

An Umbrella from Piccadilly

If you’re at your wits’ end concerning love
try falling in love again —
say, with the Queen of England.
Why not!
Her features are on every postage stamp
of that ancient kingdom.
But if you were to ask her
for a date in Hyde Park
you can bet that
you’d wait in vain.

If you’ve any sense at all
you’ll wisely tell yourself:
Why of course, I know:
it’s raining in Hyde Park today.

When he was in England
my son bought me in London’s Piccadilly
an elegant umbrella.
Whenever necessary
I now have above my head
my own small sky
which may be black
but in its tensioned wire spokes
God’s mercy may be flowing like
an electric current.

I open my umbrella even when it’s not raining,
as a canopy
over the volume of Shakespeare’s sonnets
I carry with me in my pocket.

But there are moments when I am frightened
even by the sparkling bouquet of the universe.
Outstripping its beauty
it threatens us with its infinity
and that is all too similar
to the sleep of death.
It also threatens us with the void and frostiness
of its thousands of stars
which at night delude us
with their gleam.

The one we have named Venus
is downright terrifying.
Its rocks are still on the boil
and like gigantic waves
mountains are rising up
and burning sulphur falls.

We always ask where hell is.
It is there!

But what use is a fragile umbrella
against the universe?
Besides, I don’t even carry it.
I have enough of a job
to walk along
clinging close to the ground
as a nocturnal moth in daytime
to the coarse bark of a tree.

All my life I have sought the paradise
that used to be here,
whose traces I have found
only on women’s lips
and in the curves of their skin
when it is warm with love.

All my life I have longed
for freedom.
At last I’ve discovered the door
that leads to it.
It is death.

Now that I’m old
some charming woman’s face
will sometimes waft between my lashes
and her smile will stir my blood.

Shyly I turn my head
and remember the Queen of England,
whose features are on every postage stamp
of that ancient kingdom.
God save the Queen!

Oh yes, I know quite well:
it’s raining in Hyde Park today.

“An Umbrella from Piccadilly” from The Poetry of Jaroslav Seifert
Translated from the Czech by Ewald Osers
Edited by George Gibian
Copyright © 1998 by Ewald Osers and George Gibian
Used by permission of Catbird Press
All rights reserved

Fragment of a Letter

All night rain lashed the windows.
I couldn’t go to sleep.
So I switched on the light
and wrote a letter.

If love could fly,
as of course it can’t,
and didn’t so often stay close to the ground,
it would be delightful to be enveloped
in its breeze.

But like infuriated bees
jealous kisses swarm down upon
the sweetness of the female body
and an impatient hand grasps
whatever it can reach,
and desire does not flag.
Even death might be without terror
at the moment of exultation.

But who has ever calculated
how much love goes
into one pair of open arms!

Letters to women
I always sent by pigeon post.
My conscience is clear.
I never entrusted them to sparrowhawks
or goshawks.

Under my pen the verses dance no longer
and like a tear in the corner of an eye
the word hangs back.
And all my life, at its end,
is now only a fast journey on a train:

I’m standing by the window of the carriage
and day after day
speeds back into yesterday
to join the black mists of sorrow.
At times I helplessly catch hold
of the emergency brake.

Perhaps I shall once more catch sight
of a woman’s smile,
trapped like a torn-off flower
on the lashes of her eyes.
Perhaps I may still be allowed
to send those eyes at least one kiss
before they’re lost to me in the dark.

Perhaps once more I shall even see
a slender ankle
chiselled like a gem
out of warm tenderness,
so that I might once more
half choke with longing.

How much is there that man must leave behind
as the train inexorably approaches
Lethe Station
with its plantations of shimmering asphodels
amidst whose perfume everything is forgotten.
Including human love.

That is the final stop:
the train goes no further.

“Fragment of a Letter” from The Poetry of Jaroslav Seifert
Translated from the Czech by Ewald Osers
Edited by George Gibian
Copyright © 1998 by Ewald Osers and George Gibian
Used by permission of Catbird Press
All rights reserved

To Be a Poet

Life taught me long ago
that music and poetry
are the most beautiful things on earth
that life can give us.
Except for love, of course.

In an old textbook
published by the Imperial Printing House
in the year of Vrchlický’s death
I looked up the section on poetics
and poetic ornament.

Then I placed a rose in a tumbler,
lit a candle
and started to write my first verses.

Flare up, flame of words,
and soar,
even if my fingers get burned!

A startling metaphor is worth more
than a ring on one’s finger.
But not even Puchmajer’s Rhyming Dictionary
was any use to me.

In vain I snatched for ideas
and fiercely closed my eyes
in order to hear that first magic line.
But in the dark, instead of words,
I saw a woman’s smile and
wind-blown hair.

That has been my destiny.
And I’ve been staggering towards it breathlessly
all my life.

“To Be a Poet” from The Poetry of Jaroslav Seifert
Translated from the Czech by Ewald Osers
Edited by George Gibian
Copyright © 1998 by Ewald Osers and George Gibian
Used by permission of Catbird Press
All rights reserved

Poem selected by the Nobel Library of the Swedish Academy.